Early Life 1475–88

Michelangelo was born on 6 March 1475 in Caprese near Arezzo, Tuscany (known today as Caprese Michelangelo). For several generations, his family had been small-scale bankers in Florence, but the bank failed, and his father, Ludovico di Leonardo Buonarroti Simoni, briefly took a government post in Caprese, where Michelangelo was born. At the time of Michelangelo's birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelo's mother was Francesca di Neri del Miniato di Siena. The Buonarrotis claimed to descend from the Countess Mathilde of Canossa; this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelo's birth, the family returned to Florence, where he was raised. At later times, during his mother's prolonged illness and after her death in 1481, when he was just six years old, Michelangelo lived with a nanny and her husband, who was a stonecutter, in the town of Settignano, where his father owned a marble quarry and a small farm. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him:

"If there is some good in me, it is because I was born in the subtle atmosphere of your country of Arezzo. Along with the milk of my nurse I received the knack of handling chisel and hammer, with which I make my figures."

• Outline of Michelangelo (1475-1564)
  

  HISTORIC PEOPLE

  Michelangelo (1475-1564)

  Michelangelo was an Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since been described as one of the greatest artists of all time. View Michelangelo (1475-1564) »

  Early Life 1475–88: Michelangelo lived with a nanny and her husband, who was a stonecutter, in the town of Settignano, where his father owned a marble quarry and a small farm.

  Apprenticeships 1488–92: At the academy, both Michelangelo's outlook and his art were subject to the influence of many of the most prominent philosophers and writers of the day, including Marsilio Ficino, Pico della Mirandola and Poliziano.

  Bologna, Florence, Rome 1492–99: At this time Michelangelo studied the robust reliefs carved by Jacopo della Quercia around main portal of the Basilica of St Petronius, including the panel of The Creation of Eve the composition of which was to reappear on the Sistine Chapel ceiling.

  Florence 1499–1505: Michelangelo responded by completing his most famous work, the statue of David, in 1504. The masterwork definitively established his prominence as a sculptor of extraordinary technical skill and strength of symbolic imagination.

  Sistine Chapel ceiling 1505–12: At its centre are nine episodes from the Book of Genesis, divided into three groups: God's creation of the earth; God's creation of humankind and their fall from God's grace; and lastly, the state of humanity as represented by Noah and his family.

  Florence under Medici popes 1513 – early 1534: In 1520 the Medici came back to Michelangelo with another grand proposal, this time for a family funerary chapel in the Basilica of San Lorenzo.

  Rome 1534–46: Michelangelo worked on a number of architectural projects at this time. They included a design for the Capitoline Hill with its trapezoid piazza displaying the ancient bronze statue of Marcus Aurelius.

  St Peter's Basilica 1546–64: Michelangelo was persuaded to take over the project. He returned to the concepts of Bramante, and developed his ideas for a centrally planned church, strengthening the structure both physically and visually.

  Final Years: The last sculpture that Michelangelo worked on, the Rondanini Pietà could never be completed because Michelangelo carved it away until there was insufficient stone.

  Legacy of Michelangelo: While Michelangelo's David is the most famous male nude of all time and destined to be reproduced in order to grace cities around the world, some of his other works have had perhaps even greater impact on the course of art.

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