Patronage

While Beethoven earned income from publication of his works and from public performances, he also depended on the generosity of patrons for income, for whom he gave private performances and copies of works they commissioned for an exclusive period prior to their publication. Some of his early patrons, including Prince Lobkowitz and Prince Lichnowsky, gave him annual stipends in addition to commissioning works and purchasing published works.

Perhaps Beethoven's most important aristocratic patron was Archduke Rudolph, the youngest son of Emperor Leopold II, who in 1803 or 1804 began to study piano and composition with Beethoven. The cleric (Cardinal-Priest) and the composer became friends, and their meetings continued until 1824. Beethoven dedicated 14 compositions to Rudolph, including the Archduke Trio (1811) and Missa solemnis (1823). Rudolph, in turn, dedicated one of his own compositions to Beethoven. The letters Beethoven wrote to Rudolph are today kept at the Gesellschaft der Musikfreunde in Vienna. Another patron was Count (later Prince) Andreas Razumovsky, for whom the String Quartets Nos. 7–9, Op. 59, Rasumovsky were named.

In the autumn of 1808, after having been rejected for a position at the royal theatre, Beethoven received an offer from Napoleon's brother Jérôme Bonaparte, then king of Westphalia, for a well-paid position as Kapellmeister at the court in Cassel. To persuade him to stay in Vienna, the Archduke Rudolph, Prince Kinsky and Prince Lobkowitz, after receiving representations from the composer's friends, pledged to pay Beethoven a pension of 4000 florins a year. Only Archduke Rudolph paid his share of the pension on the agreed date. Kinsky, immediately called to military duty, did not contribute and soon died after falling from his horse. Lobkowitz stopped paying in September 1811. No successors came forward to continue the patronage, and Beethoven relied mostly on selling composition rights and a small pension after 1815. The effects of these financial arrangements were undermined to some extent by war with FranceFirst French Empire, officially the French Republic, then the French Empire after 1809, also known as Napoleonic France, was the empire ruled by Napoleon Bonaparte, who established French hegemony over much of continental Europe at the beginning of the 19th century. It lasted from 18 May 1804 to 11 April 1814 and again briefly from 20 March 1815 to 7 July 1815. A series of wars, known collectively as the Napoleonic Wars, extended French influence to much of Western Europe and into Poland.France, which caused significant inflation when the government printed money to fund its war efforts.

• Outline of Ludwig van Beethoven (1770-1827)
  

  HISTORIC PEOPLE

  Ludwig van Beethoven (1770-1827)

  Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio. View Ludwig van Beethoven (1770-1827) »

  Early Life: Some time after 1779, Beethoven began his studies with his most important teacher in Bonn, Christian Gottlob Neefe, who was appointed the Court's Organist in that year.

  Establishing his career in Vienna: Beethoven did not immediately set out to establish himself as a composer, but rather devoted himself to study and performance.

  Musical Maturity: For the premiere of his First Symphony, Beethoven hired the Burgtheater on 2 April 1800, and staged an extensive programme of music, including works by Haydn and Mozart, as well as his Septet, the First Symphony, and one of his piano concertos.

  Loss of Hearing: Beethoven is reported to have dated his hearing loss from a fit he suffered in 1798 induced by a rage at the interruption of his work—having fallen over, he got up to find himself deaf.

  Patronage: While Beethoven earned income from publication of his works and from public performances, he also depended on the generosity of patrons for income, for whom he gave private performances and copies of works they commissioned for an exclusive period prior to their publication.

  Middle Period: Beethoven's return to Vienna from Heiligenstadt was marked by a change in musical style, and is now designated as the start of his middle or "heroic" period.

  Custody Struggle and Illness: Between 1815 and 1817 Beethoven's output dropped again. Beethoven attributed part of this to a lengthy illness (he called it an "inflammatory fever") that afflicted him for more than a year, starting in October 1816.

  Late Works: Beethoven began a renewed study of older music, including works by J. S. Bach and Handel, that were then being published in the first attempts at complete editions.

  Illness and Death: An autopsy revealed significant liver damage, which may have been due to heavy alcohol consumption. It also revealed considerable dilation of the auditory and other related nerves.

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